currently i'm in the far mountains of queenstown, tasmania, where the weather has been unseasonably poor. i'm stuck in the devil's end of nowhere huddled in a half-heated, ramshackle winnebago waiting for the rain and hail to end.
i'm trying to get transport to hobart, which is a lovely town, but the tasmanian public bus doesn't run today and the only "taxi" in queenstown has engine trouble! hobart is 5 hours away through the most gorgeous virgin forest where there's no communication -- it seems as if much of western tasmania works on little satellite phones.
i just can't chance being stuck overnite by the macintosh dam in a dead ute (this is what they call these kind of mad max flat-bed vehicles that everyone uses around here) while a tow truck comes down from strahan to rescue me as packs of tasmanian devils circle and howl. . . tho' apparently the extremely poisonous tiger snakes are more of a problem. . .
there is probably no place left in the u.s.a. outside of farthest alaska as wild as western tasmania!
i could take a helicopter down to hobart, but the weather's so bad -- headline: "new york woman lost in helicopter crash over the pieman catchment." maybe i should hire a captain and attempt to flee the clashing tides thru hell's gate at cape sorrell?
will i ever escape the beautiful the northwest forest of tasmania? oh, to see the great western tiers again!
indiana jones has nothing on me. . .i'm subsisting on dead leaves and strawberry pavlova. . .
thus i amuse myself by reading the so-called great australian novel, patrick white's riders in the chariot. this novel, combining elements of joyce and faulkner but finally transcending them into a unique style, metaphorically considers australia ("god's own country") as the former garden of eden.
half-blasted into desert and half-verdant with twisted menacing trees, its iron gates rusted, the lock broken and hanging, the guardian angel sleeping, 4 eccentric but archetypal aussies -- a half-mad aristocratic spinster, a holocaust survivor, an aborigine, and an immigrant washerwoman -- slip into sydney's landscape and find it offers the first step up into the kabbalistic chariot, the vehicle of grace.
they themselves unknowingly become the tetramoulon or 4 angels who direct the merkabah, whose platform serves as the holy infrastructure of the world.
thus white appears to consider a special spiritual and redemptive path in the struggles of the australian identity and the australians' relationship to their vast continent.
posted by fortune | 3:22 PM | top | link to this | email this: | | | 0 comments